Measured product lead custody receipt.
The Music Beneath The Sound
The score-identity receipt lane — what the composer wrote, not what the orchestra played · ZPE-Music · GPD Phase 10 open · github.com/Zer0pa/ZPE-Music
Live experiment. Not a release. Ambition headlined. Claims bounded.
Music is not only the sound that reaches a microphone. Before it is played, it is a score: notes, voices, articulations, repeats, and intent.
ZPE-Music starts there. It asks whether the written music can keep its identity through export, parse, compare, and replay without being flattened into audio.
The current receipts are strongest on real MusicXML score identity. That is the point of the lane: protect what the composer wrote before arguing about how any one performance should sound.

When a score is encoded as a waveform, the composer's intention disappears — it can't come back.
A waveform keeps the sound. a score keeps the music.
DAWs encode audio. Streaming platforms deliver waveforms. AI music systems learn from recordings. The written structure beneath the sound — events, voices, articulation, expression — is outside every test. Codecs eat it and emit sound.
ZPE-Music now tests whether a score can carry a receipt-backed self boundary. The current mechanism parses MusicXML, encodes a canonical score identity contract, decodes, exports, reparses and compares canonical forms. It returns same, different or unsupported; silent relaxation is treated as failure.
A score identity claim only counts when it survives export, reparse, collisions and baseline pressure.
identity_metrics.json + collision_matrix.json + Phase 9 receipts. Controlled revision fixtures showed signal, but the revision wedge is not promoted until a real or semi-real revision corpus passes. Source: github.com/Zer0pa/ZPE-Music.The claim is score identity receipts, not universal music understanding.
Deterministic here means the same declared score contract reaches the same canonical identity after parse, encode, decode, export and reparse. The receipt does not pretend every MusicXML feature is supported. Unsupported material must be named, not silently clamped.
Audio waveforms, MIDI rendering, continuous tempo, dynamics curves, pedal state, legal ownership and work-level identity are outside the verified scope. The public story stays bounded until real revision, voice and migration gates survive baseline attacks.
Open: real or semi-real revision corpus, voice graph-isomorphism, dataset dedupe corpus, MEI/Humdrum migration support and product packaging. Forbidden: compression, compliance, enterprise, standard or legal claims without direct receipts and baseline comparisons.
A score can have a receipt-backed self boundary.
The aim is not another notation format. It is a falsifiable identity primitive: a score can cross editors, exports, revisions and recognizers while a receipt says what survived, what changed and what the system refuses to certify.